| 000 | 02003nam a22002657a 4500 | ||
|---|---|---|---|
| 003 | clrauoh | ||
| 005 | 20260622153153.0 | ||
| 008 | 260622s2022 uk a gr6 000 1 spa d | ||
| 020 | _a9781914224034 | ||
| 040 |
_aclrauoh _bspa _cclrauoh _erda |
||
| 082 | _a741.5944 | ||
| 100 | 1 |
_aCatel _eIllustrator. |
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| 245 | 1 | 0 |
_aAlice Guy : _bFirst lady of film / _cCatel & Bocquet |
| 260 |
_aLondon : _bSelf Made Hero, _c2022 |
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| 300 |
_a392 pages : _billustrations. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _a Includes bibliographic references and filmography. | ||
| 520 | _aIn 1895, the Lumière brothers invented the cinematograph. Less than a year later, 23-year-old Alice Guy, the first female filmmaker in cinema history, made The Cabbage Fairy, a 60-second movie, for Léon Gaumont, and would go on to direct more than 300 films before 1922. Guy’s life is a shadow history of early cinema, the chronicle of an art form coming into its own. A free and independent woman who rubbed shoulders with masters such as Georges Méliès and the Lumières, she was the first to define the professions of screenwriter and producer. She directed the first feminist satire, then the first sword-and-sandal epic, before crossing the Atlantic in 1907 to the United States and becoming the first woman to found her own production company. Guy died in 1969, excluded from the annals of film history. In 2011, Martin Scorsese honored this cinematic visionary “forgotten by the industry she had helped create,” describing her as “a filmmaker of rare sensitivity, with a remarkable poetic eye and an extraordinary feel for locations.” The same can be said of Catel and Bocquet’s luminous account of her life. | ||
| 650 | 0 |
_aWomen motion picture producers and directors _zFrance _vBiography |
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| 650 | 0 |
_aProductoras y directoras de cine _zFrancia _vGénero |
|
| 700 | 1 |
_aBocquet, José-Louis _eauthor. |
|
| 942 |
_2ddc _cBOOK _n0 |
||
| 999 |
_c7353 _d7353 |
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